Role play..forced or kidnap

Consensual fantasy play staged by partners who act out physical struggle, capture and intimidation of one or more sexual partners. To intensify the experience, costumes such as police or military uniforms  are often used (Nazi dress being a favourite). Bondage equipment such as rope, thumbcuffs, handcuffs, blindfolds, gags, tape and similar gear are also very popular in abduction play.

Crops canes whips to your hearts content.

http://www.trusseduk.com/home.htm
A well recommended site and no im not on commission  ..lol

Hidden poems..writings...

The finding suggests that what we think of as high art and low art was being packaged, sold and read together in the 18th Century – and raises questions about whether the popularity of other bestselling books might have different explanations.
Dr van Hensbergen said: ‘I had just finished entering details of poems typical of miscellanies of the period- satires, imitations and amatory verse, when at the end of the second volume a new title page announced the start of ‘The Cabinet of Love’.

‘To my surprise, ‘The Cabinet’ turned out to be a collection of pornographic verse about dildos. The poems include ‘Dildoides’, a poem attributed to Samuel Butler about the public burning of French-imported dildos, ‘The Delights of Venus’, a poem in which a married woman gives her younger friend an explicit account of the joys of sex, and ‘The Discovery’, a poem about a man watching a woman in bed while hiding under a table.i wonder what would have been made of them 100 years ago interesting

14 TH Feb

Well im sure you will write something girlie ,so i  BEAT ya too it so here your valentines kiss ,shame it s a leather strap cross ways across your little rosy red cheeks ..picture enclosed for your perousal ..xxx

Train of life.

Some folks ride the train of life
Looking out the rear,
Watching miles of life roll by,
And marking every year.
They sit in sad remembrance,
Of wasted days gone by,
And curse their life for what it was,
And hang their head and cry.
But I don’t concern myself with that,
I took a different vent,
I look forward to what life holds,
And not what has been spent.
So strap me to the engine,
As securely as I can be,
I want to be out on the front,
To see what I can see.

I want to feel the winds of change,
Blowing in my face,
I want to see what life unfolds,
As I move from place to place.
I want to see what’s coming up,
Not looking at the past,
Life's too short for yesterdays,
It moves along too fast.
So if the ride gets bumpy,
While you are looking back,
Go up front, and you may find,
Your life has jumped the track.
It's all right to remember,
That’s part of history,
But up front's where it’s happening,
There’s so much mystery.
The enjoyment of living,
Is not where we have been,
It's looking ever forward,
To another year and ten.

It’s searching all the byways,
Never should you refrain,
For if you want to live your life,
You gotta drive the train!

The Well of Loneliness,

The Well of Loneliness is a 1928 lesbian novel by the English author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose "sexual inversion" (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: "Give us also the right to our existence".^[1]
The Well became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote "I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel." Although its only sexual reference consists of the words "and that night, they were not divided", a British court judged it obscene because it defended "unnatural practices between women".^[2] In the United States the book survived legal challenges in New York state and in Customs Court.^[3]
Publicity over The Well's legal battles increased the visibility of lesbians in British and American culture.^[4] For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find.^[5] Some readers have valued it, while others have criticized it for Stephen's expressions of self-hatred and seen it as inspiring shame.^[6] Its role in promoting images of lesbians as "mannish" or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as transsexual.^[7]
Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate

Richard von Krafft-Ebing

August 14, 1840 – December 22, 1902) was an Austro-German sexologist and psychiatrist. He wrote Psychopathia Sexualis (1886), a notable series of case studies of the varieties of human sexual behaviour. The book remains well known for making mainstream the terms sadism (from Marquis de Sade whose fictional writings often include brutal sexual practices) and masochism (from writer Leopold von Sacher-Masoch,^[2] whose partly autobiographical novel Venus in Furs tells of the protagonist's desire to be whipped and enslaved by a beautiful woman). He was also the first to use the terms homosexual and heterosexual. Baron von Krafft-Ebing was born in Mannheim, Baden, Germany. He was educated in Heidelberg and studied medicine at the University of Heidelberg.
After graduating in medicine and completing his specialization in psychiatry, Krafft-Ebing worked in several asylums. He soon grew disappointed with their workings and decided to pursue a more academic vocation. He subsequently became a professor at Strasbourg, Graz, and Vienna, and a forensic expert at the Austro-Hungarian capital. He popularized psychiatry, giving public lectures on the subject and theatrical demonstrations of the power of hypnotism.

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